黄莺
生于湖南  现居北京  职业艺术家
曾就读于北京电影学院图片摄影专业和中央美术学院油画系

个展：
2006  “绽放”，酒厂?国际艺术园 北京

群展：
2010  2010影像档案展 宋庄美术馆 北京
2009  “混合与分享”CC综合艺术展 映艺术中心 北京 798
2009  日内瓦国际艺术展 瑞士
2009  无镜－女性艺术展 白盒子美术馆 北京 798
2009 “梦想照亮现实” 当代女性艺术展 北京
2008  巴塞尔－迈阿密艺术博览会 美国
2008  2008奥林匹克美术大会  北京
2008  “中国情境”当代艺术展 北京
2008   2007?中国当代艺术文献展主题展  雍和美术馆 北京
2007   艳色记录——当代女性艺术家邀请展   关山月美术馆 深圳
2007   历史：记忆与再记忆  墙美术馆 北京
2006   2006?中国当代艺术文献展  中华世纪坛  北京
2006   变异的图像---中国当代油画邀请展   上海美术馆 上海
2005  “我行我素-中国油画新兴力量2005年展”   广州国际艺术博览会 广州
2005   北京世纪翰墨画廊藏品展 北京798
2004 “个性空间”上海春季艺术沙龙 上海

Huang Ying

Born in Hunan,Living in Beijing now
Studied in Photographic Dept.,Beijing Film Academy and
in Oil Painting Dept.,Central Academy of Fine Arts,Beijing

Exhibition:

2010    2010 Screenage Art Document Exhibition, Songzhuang Art Museum,Beijing
2009     Remix and Share, Creative Commons Art Exhibition, Inter Gallery,Beijing
2009     Enantiomorphous Art of Female, White Box Museum, Beijing
2009     Park Art Fair International  ? Geneva 2009
2009    “Enlightenment” contemporary female art exhibition , Beijing
2008    Art Basel Maimi Beach 2008 , USA
2008    Olympic Fine Arts 2008 , Beijing
2008     “Chinese Situation" contemporary art exhibition ,  Beijing
2008    2007 ? The Documental Exhibition of China’s Comtemproary Art ,   Beijing
2007 Rich Colors, Invitation Exhibition of China's Comtempoary Female Artist,
GuanShanYue Art Museum, Shenzhen
2007    History : Memory and Re-memory  Wall Art Gallery ,    Beijing
2006 “Blooming”,  Huang Ying 's  Exhibition，Liquor  Factory International Art
Complex,  Beijing
2006    2006 ? The Documental Exhibition of China’s Comtemproary Art ,   Beijing
2006 Varied Image---Invitation Exhibition of China’s Comtemporary Paintings ,
Shanghai Art Museum ,  Shanghai
2005     " My Own Way-The New Power of Chinese Oilpainting ",     Guangzhou Art Fair ,   Guangzhou
2005     The Collection Exhibition of Beijing Century Hanmo Gallery ,    798 Beijing
2004    "Individual Space", 2nd Shanghai Spring Art Salon ,   Shanghai

瞬间的光亮
---黄莺创作自述

性别退后，作品说话
我是一个听从自己心灵指引，尽可能要按照自己的意愿做事的人，我的创作也是如此。我追求生命的激情。害怕失去创作与生活的热情，失去了激情就意味着心灵的衰老。刻意强调“女性”身份反而会被边缘化，争取话语权的唯一途径就是把艺术做好，性别退后，作品说话。至于我的艺术语言，有些东西是自然而然的，当然也有设计的成分，感觉这样的处理比较符合我表达的需要，这也许就是“画如其人”吧。
 
将心理体验凝固放大
我创作的女性形象并不是在刻意描绘某一类人群，而是在表达内心比较复杂的心理活动。人物在作品中只是载体，我更倾向于把她（们）看作抽象的形式。如果一定要归纳出她们的特征的话，那就是在画中的所有人物都是处于一种非常规的状态，这种状态往往是处于相对私密的空间中才能呈现出来的，不固定和难以捉摸的，是各种因素——社会、环境、群体以及个体等等交织起来对当代知性女性产生影响后的结果，而影像或绘画可以将这种体验的瞬间凝固放大。
 
在自己的宇宙中完成反省和自我拯救
我觉得人都是有双重性格甚至是多重性格的，很多时候也是孤独的，甚至是自我怀疑的。反省和自我拯救常常都是在自己的宇宙中完成的。我作品中的人物都是内心的孤独者，她们需要和外界发生关系，无论是被动的受到外界干扰还是有意识的主动在接触，这其中就需要一个联系的纽带，画面中除了人物以外的昆虫或别的什么物体可以说意味着环境、异性、自我、情绪…也可以暗示和人物发生关系的任何一种有形的或无形的物质和状态。我觉得自己作品的社会意义也许就在此吧，人是无法脱离这个社会独立存在的，我只是更加关注和深入到存在于这个社会中人的内心世界。

Momentary Light
------Creation Descriptions by Huang Ying

Works to express themselves without regard to gender

I am a person who listen to their heart guide and to do things according to their own wishes as much as possible. The same is true of my creation. My passion for the pursuit of life makes me afraid of losing the creativity and enthusiasm for life, while loss of passion means that the aging heart. Deliberate emphasis on "women's" status but will be marginalized. The only way to fight for the right to speak is to do your art better. Works can express themselves without regard to gender.As for my art language, some things are naturally formed, of course, in which also has the design elements.I feel such a treatment more in line with my needs. This may be is the "Painting reflects its painter".

To enlarge the frozen psychological experience

My motivation for creating is not the image of women portrayed in a certain type of crowd deliberately, but rather to convey a more complex inner mental activity.Characters in my works is only carrier, I am more inclined to her (s) as an abstract form. If we must summarize their characteristics, it is that all the characters in the painting are in an extraordinary state, which is often present itself at a relatively intimate space irregularly and unpredictably, and which is the result of a variety of factors - social, environment, groups and individuals that have an impact on contemporary intellectual women. The image or painting can be the moment of this experience frozen to enlarge.

To complete introspection and self-rescue in my own universe

I think people are a double personality or even multiple personalities, whom is often a lonely, and even self-doubt. Introspection and self-rescue have always been  completed in their own universe. The characters in my works are lonely heart, they need a relationship with the outside world, whether it is a passive subject to outside interference or  intentional contact with the initiative, of which requires a link. In addition to the characters in pictures, objects, insects or anything else can be said to mean that the environment, the opposite sex, self, emotion ... and  can also imply any kind of tangible or intangible, material and status which has a relationship with figures inside.I think the social significance of my works, perhaps be at this point. People are unable to escape this society exist independently, and I just pay more attention in-depth to the inner world of human nature exist in this society.

2009.09